
31 Mar 1954

Sansho the Bailiff
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.
Diary Film, Experimental Film
Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces.
31 Mar 1954
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.
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No overview found
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